Aalana Naala Lyrics
From the movie Ponnu Pakka Poren Tamil
Aalana Naala Song Lyrics is the track from Ponnu Pakka Poren Tamil Tamil Film – 1989. This song was sung by மலேஷியா வாசுதேவன் மற்றும் கே. எஸ். சித்ரா.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Not Specified
Singers :Malaysia Vasudevan and K. S. Chithra
Music Director : K. Bhagyaraj
Lyricist : Vaali
Aalaana naala Aalaana naala kannu rendum
Aaloolam paadum unna kandu Nitham nitham un soppaname
Nenjam endrum un arpaname Nitham nitham un soppaname
Nenjam endrum un arpaname
Adi aalaana Aalaana naala kannu rendum
Aaloolam paadum unna kandu Aththa petha en sithirame
Kittae vandhu nee muthamidaen Aththa petha en sithirame
Kittae vandhu nee muthamidaen
Vaamaanadhum enna maamaannuthaan
Siru maampoovaa mainaava nee konjanum
Aagaathaiyaa ippa koodathaiyaa
Kattil aattangal nee poda naal paarkkanum
Nee kannu rendil ambu vittu Enai thaakkura
Nee konjam vitta mothathukkum Idam kekkura
En devi dhegam devalogam Vandha yenthaan thaal podra
Ada aalaana naala kannu rendum Aaloolam paadum unna kandu
Aththa petha en sithirame Kittae vandhu nee muthamidaen
Pollaadhadhu achcham illaadhadhu Indha aan paarvai eppodhum thappaanadhu
Poovaadudhu rendu kaayaadudhu Adha paarthaalae aathaadi sooderudhu
Nee eppavumae ippadithaan valaveesura Nee appavum than etti ninnu kadha pesura
Aadai pottu moodinaalum Veena yenthan poraadura
Nee aalaana naala kannu rendum Aaloolam paadum unna kandu
Nitham nitham un soppaname Nenjam endrum un arpaname
Aththa petha en sithirame Kittae vandhu nee muthamidaen
Song Meaning & Analysis
This song is a playful romantic duet between a man and a woman, expressing their mutual attraction and desire while also engaging in lighthearted teasing. The man expresses his deep infatuation, stating that since the woman has come of age, his eyes sing lullabies for her, and she is his constant dream and dedication. He is eager for her affection, urging her to come closer and kiss him, referring to her endearingly as his aunt's beautiful painting.
The woman, while reciprocating the affection, maintains a coy and teasing stance. She playfully rebuffs his advances, suggesting it's not the right time for intimacy and that he needs to wait. She acknowledges his captivating gaze but also warns him about the 'mischievous' nature of his male gaze and how his persistent attempts are in vain when she's covered. The song captures the classic push-and-pull of budding romance, filled with longing, playful resistance, and undeniable chemistry.
Frequently Asked Questions
Who is the singer of Aalana Naala?
Aalana Naala is sung by மலேஷியா வாசுதேவன் மற்றும் கே. எஸ். சித்ரா.
Which movie is Aalana Naala from?
The song Aalana Naala is featured in the movie Ponnu Pakka Poren Tamil.
Who wrote the lyrics for Aalana Naala?
The lyrics for Aalana Naala were written by Unknown with music composed by Unknown.
Is English translation available for Aalana Naala lyrics?
Yes! Aalana Naala lyrics from Ponnu Pakka Poren Tamil include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Aalana Naala lyrics?
This song is a playful romantic duet between a man and a woman, expressing their mutual attraction and desire while also engaging in lighthearted teasing. The man expresses his deep infatuation, stating that since the woman has come of age, his eyes sing lullabies for her, and she is his constant dream and dedication. He is eager for her affection, urging her to come closer and kiss him, referring to her endearingly as his aunt's beautiful painting. The woman, while reciprocating the affection, maintains a coy and teasing stance. She playfully rebuffs his advances, suggesting it's not the right time for intimacy and that he needs to wait. She acknowledges his captivating gaze but also warns him about the 'mischievous' nature of his male gaze and how his persistent attempts are in vain when she's covered. The song captures the classic push-and-pull of budding romance, filled with longing, playful resistance, and undeniable chemistry.
