
Aangal Illaiyaanaal Lyrics
From the movie Devaki
Aangal Illaiyaanaal Song Lyrics is the track from Devaki Tamil Film – 1951, Starring N. N. Kannappa, V. N. Janaki, S. Balachander, Madhuri Devi, M. N. Nambiar, R. Bharathi, D. Balasubramaniam, S. R. Janaki, T. N. Sivathanu, M. M. Radhabai. This song was sung by எஸ். பாலசந்தர். The music was composed by ஜி. ராமநாதன். Lyrics works penned by க. மு. ஷெரிப்.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Singer : S. Balachander
Music Director : G. Ramanathan
Lyricist : Ka. Mu. Sheriff
Munnettram endru solli intha naalil Mugaththil manjal poosaamal powder poosi
Kannaadi pottu rist watch-um katti Kaalinilae slipper maatti thirintha pothum
Aaaa…aa…aa…aah…
Aangal illaiyaanaal Nalla vaazhvum undo amma
Aangal illaiyaanaal Nalla vaazhvum undo amma
Aangila kalvi kattraalum Office velai paarththaalum
Aangila kalvi kattraalum Office velai paarththaalum
Car-raiyum ootti thirinthaalum Kanavan en perthaan
Car-raiyum ootti thirinthaalum Kanavan en perthaan
Aangal illaiyaanaal Nalla vaazhvum undo amma
Aangal illaiyaanaal Nalla vaazhvum undo amma
Munnaalil pengalaiyae Aangalellaam moodi vaiththaar
Veettinullae suyanalaththaal suyanalaththaal Innaalil pennurimaiyai kaakka naangal
Kaakka naangal Ezhunthu vittom endru jampam
Pesi pesi pesi pesi pesi pesugindrom
Aaraaro aariraro…ennadi…endru Thottilai aattum kaiyaalae
Sattamum seithe vaazhnthaalum Thottilai aattum kaiyaalae
Sattamum seithe vaazhnthaalum Naattaiyae aatchi seithaalum
Naathan en perthaan Naattaiyae aatchi seithaalum
Naathan en perthaan
Aangal illaiyaanaal Nalla vaazhvum undo amma
Aangal illaiyaanaal Nalla vaazhvum undo amma
Song Meaning & Analysis
This song from the 1951 film 'Devaki' presents a male perspective on the changing roles of women in society. The male singer humorously yet assertively questions the possibility of a "good life" for women without men, despite their modern advancements. He observes women adopting Western customs like wearing powder, spectacles, wristwatches, and slippers, learning English, working in offices, and even driving cars. Yet, he concludes that no matter these strides, a woman's ultimate identity and need for a "husband" (kanavan) remains, implying men's continued essential role.
The lyrics also touch upon the historical context, acknowledging that men previously confined women to homes out of selfishness. However, the singer then mocks the contemporary claims of women rising to protect their rights, suggesting that even if women become lawmakers or rulers, they would still need a "lord" or "master" (nathan). The song uses traditional imagery like the hand that rocks the cradle to juxtapose it with modern aspirations, ultimately reinforcing a patriarchal viewpoint prevalent in that era, delivered with a touch of playful arrogance.
Frequently Asked Questions
Who is the singer of Aangal Illaiyaanaal?
Aangal Illaiyaanaal is sung by எஸ். பாலசந்தர்.
Which movie is Aangal Illaiyaanaal from?
The song Aangal Illaiyaanaal is featured in the movie Devaki.
Who wrote the lyrics for Aangal Illaiyaanaal?
The lyrics for Aangal Illaiyaanaal were written by க. மு. ஷெரிப் with music composed by ஜி. ராமநாதன்.
Is English translation available for Aangal Illaiyaanaal lyrics?
Yes! Aangal Illaiyaanaal lyrics from Devaki include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Aangal Illaiyaanaal lyrics?
This song from the 1951 film 'Devaki' presents a male perspective on the changing roles of women in society. The male singer humorously yet assertively questions the possibility of a "good life" for women without men, despite their modern advancements. He observes women adopting Western customs like wearing powder, spectacles, wristwatches, and slippers, learning English, working in offices, and even driving cars. Yet, he concludes that no matter these strides, a woman's ultimate identity and need for a "husband" (kanavan) remains, implying men's continued essential role. The lyrics also touch upon the historical context, acknowledging that men previously confined women to homes out of selfishness. However, the singer then mocks the contemporary claims of women rising to protect their rights, suggesting that even if women become lawmakers or rulers, they would still need a "lord" or "master" (nathan). The song uses traditional imagery like the hand that rocks the cradle to juxtapose it with modern aspirations, ultimately reinforcing a patriarchal viewpoint prevalent in that era, delivered with a touch of playful arrogance.
Song Details
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