Adimai Naan Aadugiren Lyrics
From the movie Aval-1972
Adimai Naan Aadugiren Song Lyrics is the track from Aval-1972 Tamil Film – 1972. This song was sung by பி. சுசீலா. The music was composed by Sankar Ganesh. Lyrics works penned by Vaali.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Not Specified
Adimai naan aanaiyidu Aadugiren paadugiren
Adimai naan aanaiyidu Aadugiren paadugiren
Madhuvai nee ootrikkodu Mayangugiren maarugiren
Adimai naan aanaiyidu Aadugiren paadugiren
Sabai naduvae nindraadidum penmai Saaviyil aadidum bommai
Sabai naduvae nindraadidum penmai Saaviyil aadidum bommai
Paal mayakkam sirupillaiyilae Nool mayakkam pinbu palliyilae
Paal mayakkam sirupillaiyilae Nool mayakkam pinbu palliyilae
Kall mayakkam nee kodukkaiyilae Kall mayakkam nee kodukkaiyilae
Kann mayangum indha penn mayangum
Adimai naan aanaiyidu Aadugiren paadugiren
Madhuveduthen un malaradi ninaithaen Paadha poojaiyai mudithaen
Madhuveduthen un malaradi ninaithaen Paadha poojaiyai mudithaen
Pudhu pazhakkam indha madhu pazhakkam Poruthiru pazhagi varum varaikkum
Pudhu pazhakkam indha madhu pazhakkam Poruthiru pazhagi varum varaikkum
Unakaaga koppaiyai naan Unakaaga koppaiyai naan
Yaendhugiren idhil neendhugiren
Adimai naan aanaiyidu Aadugiren paadugiren
Madhuvai nee ootrikkodu Madhuvai nee ootrikkodu
Mayangugiren maarugiren Adimai naan aanaiyidu
Aadugiren paadugiren
Song Meaning & Analysis
The song "Adimai Naan Aadugiren" from the 1972 film 'Aval' is a poignant expression of complete surrender and devotion from a woman to her beloved or patron. The lyrics, penned by Vaali, portray the woman as a 'slave' who is ready to dance and sing upon command, finding her identity and purpose in fulfilling the desires of the other. The recurring theme of 'intoxication' (madhu/kall) serves as a powerful metaphor for her emotional and physical surrender, suggesting a state where she loses herself in the presence and influence of her master, transforming under their spell.
The song delves into the idea of a woman's performance and existence being dictated by an external force. She compares herself to a "doll that dances by a key," highlighting a sense of being controlled yet finding a strange liberation or purpose within that control. The progression from the 'intoxication of milk' in childhood to 'books' in school, culminating in the 'intoxication of liquor' offered by her beloved, illustrates a journey of life experiences leading to this ultimate, all-consuming devotion. The act of 'wetting his lotus feet with liquor' and 'holding the cup for him' further emphasizes her deep reverence and willingness to immerse herself entirely in this relationship, even if it means losing herself in the process.
Frequently Asked Questions
Who is the singer of Adimai Naan Aadugiren?
Adimai Naan Aadugiren is sung by பி. சுசீலா.
Which movie is Adimai Naan Aadugiren from?
The song Adimai Naan Aadugiren is featured in the movie Aval-1972.
Who wrote the lyrics for Adimai Naan Aadugiren?
The lyrics for Adimai Naan Aadugiren were written by Vaali with music composed by Sankar Ganesh.
Is English translation available for Adimai Naan Aadugiren lyrics?
Yes! Adimai Naan Aadugiren lyrics from Aval-1972 include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Adimai Naan Aadugiren lyrics?
The song "Adimai Naan Aadugiren" from the 1972 film 'Aval' is a poignant expression of complete surrender and devotion from a woman to her beloved or patron. The lyrics, penned by Vaali, portray the woman as a 'slave' who is ready to dance and sing upon command, finding her identity and purpose in fulfilling the desires of the other. The recurring theme of 'intoxication' (madhu/kall) serves as a powerful metaphor for her emotional and physical surrender, suggesting a state where she loses herself in the presence and influence of her master, transforming under their spell. The song delves into the idea of a woman's performance and existence being dictated by an external force. She compares herself to a "doll that dances by a key," highlighting a sense of being controlled yet finding a strange liberation or purpose within that control. The progression from the 'intoxication of milk' in childhood to 'books' in school, culminating in the 'intoxication of liquor' offered by her beloved, illustrates a journey of life experiences leading to this ultimate, all-consuming devotion. The act of 'wetting his lotus feet with liquor' and 'holding the cup for him' further emphasizes her deep reverence and willingness to immerse herself entirely in this relationship, even if it means losing herself in the process.
