
Naan Oru Kuzhandhai Lyrics
From the movie Padagotti
Naan Oru Kuzhandhai Song Lyrics is the track from Padagotti Tamil Film – 1964, Starring M. G. Ramachandran, B. Saroja Devi, Nagesh, Manorama, S. A. Asokan, J. Jayalalithaa, M. N. Nambiar. This song was sung by டி. எம். சௌந்தரராஜன். The music was composed by M. S. Viswanathan Ramamoorthy. Lyrics works penned by Vaali.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Ohooooohoooohoo… Ohoo
Naan oru kuzhanthai Nee oru kuzhanthai
Oruvar madiyilae oruvaradi Naal oru meni pozhuthoru vannam
Oruvar manathilae oruvaradi
Naan oru kuzhanthai Nee oru kuzhanthai
Oruvar madiyilae oruvaradi Naal oru meni pozhuthoru vannam
Oruvar manathilae oruvaradi
: Netroru thotram indroru maatram Paarthal paarvaiku theriyaathu
Netroru thotram indroru maatram Paarthal paarvaiku theriyaathu
Thodangiya paathayil Thodarnthu varaamal
Thooraththil nindraal puriyathu Thodangiya paathayil
Thodarnthu varaamal Thooraththil nindraal puriyathu
Pavalakodiyae vaa Chinthamaniyae vaa
Manimegalayae vaa Mangammavae vaa
Naan oru kuzhanthai Nee oru kuzhanthai
Oruvar madiyilae oruvaradi Naal oru meni pozhuthoru vannam
Oruvar manathilae oruvaradi
Oorariyaamal uravariyaamal yaar Varachonnar kaatukullae
Oodiya kaalgalalai odavidaamal Yaar thaduthar unnai veetukullae
Aavi thudithathu Naanumazaithaen
Neeyum vanthaai enn paatukullae Aavi thudithathu
Naanumazaithaen Neeyum vanthaai enn paatukullae
Pavalakodiyae vaa Chinthamaniyae vaa
Manimegalayae vaa Mangammavae vaa
Naan oru kuzhanthai Nee oru kuzhanthai
Oruvar madiyilae oruvaradi Naal oru meni pozhuthoru vannam
Oruvar manathilae oruvaradi
Song Meaning & Analysis
This song, 'Naan Oru Kuzhandhai,' from the 1964 film 'Padagotti,' is a beautiful romantic duet that uses the metaphor of two children to describe the innocent and deep bond between lovers. The lyrics express a profound connection, where each person is intertwined with the other, both physically (in each other's lap) and emotionally (in each other's heart). The lines about daily changes and new colors suggest the evolving nature of love, yet the core connection remains constant and pure. The song emphasizes that true understanding of this bond requires closeness and participation, not distant observation.
The latter part of the song introduces a playful longing and a sense of destiny. The singer questions who brought the beloved into his life, comparing her arrival to entering a forest unknown to others, or being held back from her path. The powerful imagery of the soul yearning and the beloved responding to his song highlights an almost mystical connection. The repeated calls to various traditional Tamil female names (Pavalakodi, Chinthamani, Manimegalai, Mangamma) add a classic, endearing touch, elevating the beloved to an idealized figure of beauty and grace, reinforcing the depth of his affection and admiration.
Frequently Asked Questions
Who is the singer of Naan Oru Kuzhandhai?
Naan Oru Kuzhandhai is sung by டி. எம். சௌந்தரராஜன்.
Which movie is Naan Oru Kuzhandhai from?
The song Naan Oru Kuzhandhai is featured in the movie Padagotti.
Who wrote the lyrics for Naan Oru Kuzhandhai?
The lyrics for Naan Oru Kuzhandhai were written by Vaali with music composed by M. S. Viswanathan Ramamoorthy.
Is English translation available for Naan Oru Kuzhandhai lyrics?
Yes! Naan Oru Kuzhandhai lyrics from Padagotti include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Naan Oru Kuzhandhai lyrics?
This song, 'Naan Oru Kuzhandhai,' from the 1964 film 'Padagotti,' is a beautiful romantic duet that uses the metaphor of two children to describe the innocent and deep bond between lovers. The lyrics express a profound connection, where each person is intertwined with the other, both physically (in each other's lap) and emotionally (in each other's heart). The lines about daily changes and new colors suggest the evolving nature of love, yet the core connection remains constant and pure. The song emphasizes that true understanding of this bond requires closeness and participation, not distant observation. The latter part of the song introduces a playful longing and a sense of destiny. The singer questions who brought the beloved into his life, comparing her arrival to entering a forest unknown to others, or being held back from her path. The powerful imagery of the soul yearning and the beloved responding to his song highlights an almost mystical connection. The repeated calls to various traditional Tamil female names (Pavalakodi, Chinthamani, Manimegalai, Mangamma) add a classic, endearing touch, elevating the beloved to an idealized figure of beauty and grace, reinforcing the depth of his affection and admiration.
Song Details
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