
Sendhoor Murugan Kovilile Female Lyrics
From the movie Shanthi
Sendhoor Murugan Kovilile Female Song Lyrics is the track from Shanthi Tamil Film – 1965, Starring Sivaji Ganesan, Devika, Chittoor V. Nagayya, M. R. Radha, C. R. Vijayakumari, S. S. Rajendran, Nagesh, S. V. Sahasranamam, Manorama. This song was sung by பி. சுசீலா. The music was composed by Vishwanathan-Ramamoorthy. Lyrics works penned by Kannadasan.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Sendhoor murugan kovililae oru Saedhiyai naan kaetten kaetten
Saeval koovum kaalai naeram Paadalai naan kaetten
Paadalai naan kaetten
Sendhoor murugan kovililae oru Saedhiyai naan kaetten kaetten
Saeval koovum kaalai naeram Paadalai naan kaetten
Paadalai naan kaetten
En iru kangal thoongiya podhu Pen paarkka vandhaan ammaa
En iru kangal thoongiya podhu Pen paarkka vandhaan ammaa
Pann iru kaiyil vaari anaithu Pan paada vandhaan ammaa
Sendhoor murugan kovililae oru Saedhiyai naan kaetten kaetten
Saeval koovum kaalai naeram Paadalai naan kaetten
Paadalai naan kaetten
Aaaaaaaaaaaa… Ho…ooo. ooo. ooo. oooo
Konjum kumaranin azhagiya madiyil Kondaada varalaamaa
Konjum kumaranin azhagiya madiyil Kondaada varalaamaa
Kungumam sivandha kovai idhazhil Ondraenum tharalaamaa
Ondraenum tharalaamaa
Sendhoor murugan kovililae oru Saedhiyai naan kaetten kaetten
Saeval koovum kaalai naeram Paadalai naan kaetten
Paadalai naan kaetten
Song Meaning & Analysis
This song beautifully intertwines spiritual devotion with romantic longing, a common theme in Tamil devotional literature where the devotee assumes the role of a beloved. The singer, a woman, describes a mystical experience at the Sendhoor Murugan temple at dawn. She hears a 'message' or 'song' that signifies a divine calling or an awakening of love for Lord Murugan. The imagery of Murugan coming to 'see the girl' while her eyes are asleep suggests a dream-like, intimate encounter, blurring the lines between the physical and the spiritual.
The narrative deepens as she recounts Murugan embracing her with his 'twelve hands' and coming to sing a song, symbolizing divine protection, affection, and a personal connection. Her subsequent questions – whether she can celebrate on his lap and offer a kiss on his vermilion-red lips – express an intense, almost audacious, form of devotion. This reflects the *nayaki-bhava* tradition, where the soul yearns for union with the divine as a lover, seeking ultimate intimacy and surrender to the deity.
Frequently Asked Questions
Who is the singer of Sendhoor Murugan Kovilile Female?
Sendhoor Murugan Kovilile Female is sung by பி. சுசீலா.
Which movie is Sendhoor Murugan Kovilile Female from?
The song Sendhoor Murugan Kovilile Female is featured in the movie Shanthi.
Who wrote the lyrics for Sendhoor Murugan Kovilile Female?
The lyrics for Sendhoor Murugan Kovilile Female were written by Kannadasan with music composed by Vishwanathan-Ramamoorthy.
Is English translation available for Sendhoor Murugan Kovilile Female lyrics?
Yes! Sendhoor Murugan Kovilile Female lyrics from Shanthi include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Sendhoor Murugan Kovilile Female lyrics?
This song beautifully intertwines spiritual devotion with romantic longing, a common theme in Tamil devotional literature where the devotee assumes the role of a beloved. The singer, a woman, describes a mystical experience at the Sendhoor Murugan temple at dawn. She hears a 'message' or 'song' that signifies a divine calling or an awakening of love for Lord Murugan. The imagery of Murugan coming to 'see the girl' while her eyes are asleep suggests a dream-like, intimate encounter, blurring the lines between the physical and the spiritual. The narrative deepens as she recounts Murugan embracing her with his 'twelve hands' and coming to sing a song, symbolizing divine protection, affection, and a personal connection. Her subsequent questions – whether she can celebrate on his lap and offer a kiss on his vermilion-red lips – express an intense, almost audacious, form of devotion. This reflects the *nayaki-bhava* tradition, where the soul yearns for union with the divine as a lover, seeking ultimate intimacy and surrender to the deity.
Song Details
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