Telephone Manipol Lyrics
From the movie Indian
Telephone Manipol Song Lyrics is the track from Indian Tamil Film – 1996, Starring Kamal Haasan, Manisha Koirala, Urmila Matondkar, Sukanya, Nedumudi Venu, Manorama, Goundamani, Senthil, Kasturi Shankar, Nizhalgal Ravi. This song was sung by ஹரிஹரன். The music was composed by A.R. Rahman. Lyrics works penned by Vairamuthu.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
{Hoooo…ooo…oooooooo Hooooo…oooooooooooooo} (2)
Telephone manipol sirippaval ivalaa Melbourne malarpol melliya magalaa
Digital il sedhukkiya kuralaa Elizabeth taylor in magalaa
Zakkir hussain thabalaa ivaldhaanaa
Sonaa sonaa ival angam thangam thaanaa
Sonaa sonaa ival latest cellular phone aa
Computer kondivalai andha bhramman padaithanaa
Telephone manipol sirippaval ivalaa Melbourne malarpol melliya magalaa
Hoooo…ooo…oooooooo Hooooo…oooooooooooooo
Neeyillai endraal veyilum adikaadhu Thuli mazhaiyum irukkaadhu
Neeyillai endraal chandhiran irukaadhu Oru sambavam enakkaedhu
Un perai sonaal swaasam muzhudhum Suga vaasam veesudhadi
Unnai pirindhaalae veesum kaatril Velai niruthamadi
Neerillai endraal aruvi irukkaadhu Malai azhagu irukkaadhu
Nee illaamal ponaal idhayam irukkaadhu En ilamai pasikkaadhu
Vellai nadhiyae unnul ennai Dhinam moozhgi aada vidu
Vetkkam vandhaal koondhal kondu Unai konjam moodividu
Telephone manipol sirippaval ivalaa Melbourne malarpol melliya magalaa
{Hoooo…ooo…oooooooo Hooooo…oooooooooooooo} (2)
Un perai yaarum sollavum vidamaten Andha sugathaiyum tharamaten
Un koondhal pookkal vizhavae vida maten Adhai veyyilil vida maten
Pengal vaasam ennai thavira Ini veesakoodaadhu
Annai theresa avarai thavira Pirar pesakoodaadhu
Nee pogum theruvil aangalai vidamataen Sila pengalai vidamaten
Nee sindhum sirippai kaatril vida maten Adhai kavarven tharamaten
Pudavai kadaiyil pennin silaiyai Nee theenda koodaadhu
Kaadhal kottai karpukarasaa Nee thaanda koodaadhu…
Telephone manipol sirippaval ivalaa Melbourne malarpol melliya magalaa
Digital il sedhukkiya kuralaa Elizabeth taylor in magalaa
Zakkir hussain thabalaa ivaldhaanaa
Sonaa sonaa ival angam thangam thaanaa
Sonaa sonaa ival latest cellular phone aa
Computer kondivalai andha bhramman padaithanaa
Song Meaning & Analysis
Telephone Manipol is a passionate and intensely romantic song where the male protagonist expresses his profound admiration and possessive love for his beloved. He describes her beauty and charm using a blend of traditional and modern metaphors, comparing her smile to a telephone bell, her delicacy to a Melbourne flower, and her voice to a digital carving. He elevates her to an almost divine status, questioning if she was created by Brahma using a computer, and likening her to iconic figures like Elizabeth Taylor and Zakir Hussain's tabla, emphasizing her captivating presence and perfection.
The song delves into the depth of his devotion, stating that his world loses all meaning without her – the sun won't shine, the moon won't exist, and even the wind would go on strike. His possessiveness escalates in the latter half, where he declares he won't allow anyone else to even utter her name, touch a mannequin in a saree shop, or let her smile be lost to the wind. This intense desire to protect and claim her, even to the point of controlling her interactions and surroundings, highlights a love that is both deeply enamored and fiercely territorial, painting a vivid picture of a lover consumed by his affection.
Frequently Asked Questions
Who is the singer of Telephone Manipol?
Telephone Manipol is sung by ஹரிஹரன்.
Which movie is Telephone Manipol from?
The song Telephone Manipol is featured in the movie Indian.
Who wrote the lyrics for Telephone Manipol?
The lyrics for Telephone Manipol were written by Vairamuthu with music composed by A.R. Rahman.
Is English translation available for Telephone Manipol lyrics?
Yes! Telephone Manipol lyrics from Indian include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Telephone Manipol lyrics?
Telephone Manipol is a passionate and intensely romantic song where the male protagonist expresses his profound admiration and possessive love for his beloved. He describes her beauty and charm using a blend of traditional and modern metaphors, comparing her smile to a telephone bell, her delicacy to a Melbourne flower, and her voice to a digital carving. He elevates her to an almost divine status, questioning if she was created by Brahma using a computer, and likening her to iconic figures like Elizabeth Taylor and Zakir Hussain's tabla, emphasizing her captivating presence and perfection. The song delves into the depth of his devotion, stating that his world loses all meaning without her – the sun won't shine, the moon won't exist, and even the wind would go on strike. His possessiveness escalates in the latter half, where he declares he won't allow anyone else to even utter her name, touch a mannequin in a saree shop, or let her smile be lost to the wind. This intense desire to protect and claim her, even to the point of controlling her interactions and surroundings, highlights a love that is both deeply enamored and fiercely territorial, painting a vivid picture of a lover consumed by his affection.