Vaadi Samanja Lyrics
From the movie Gopurangal Saivathillai
Vaadi Samanja Song Lyrics is the track from Gopurangal Saivathillai Tamil Film – 1982, Starring Mohan, Suhasini Maniratnam, Radha, S.Ve. Sekar, Vinu Chakravarthy, Jayamalini, Sundar, Manobala, Kamala Kamesh, Nalini. This song was sung by பி. சுசீலா. The music was composed by Ilayaraja. Lyrics works penned by Vaali.
Track Credits & Star Cast
Singers
Star Cast
Vaa vaa vaa vaa vaadi…
Vaadi samanja pulla Adi velanja karumbu kolla
Vaadi samnja pulla Adi velanja karumbu kolla
Yeli vaalu pola Adi yembudhadi mela
Yeli vaalu pola Adi yembudhadi mela
Unna endha paiyan Kattikkuvaandi
Vaadi samanja pulla Adi velanja karumbu kolla
Seevi chidukkeduthu Nee singaaram pannikkadi
Raani rathiyaattamaa Unna neeyae thaan ennikkadi
Seevi chidukkeduthu Nee singaaram pannikkadi
Raani rathiyaattamaa Unna neeyae thaan ennikkadi
Eva thaan pethaalo Indha odamba
Edhukkum aagaadha thennangarumba Tholla vizhundha
Thondi onakku Kolla nenappu
Yendi irukku
Adiyae asadu… Adiyae asadu
Kanda badi thitta poren
Vaadi samnja pulla Adi velanja karumbu kolla
Yeli vaalu pola Adi yembudhadi mela
Unna endha paiyan Kattikkuvaandi
Vaanathulae pogudhu paar Machaan oottum aeroplane
Maalaiyoda marukkozhundhae Unna megathilae thaedi poraan
Raasaa nenappula thaan Nee raathiri paduthukkodi
Kaadhal kalyaanatha Nee kanavula muduchukkadi
Raasaa nenappula thaan Nee raathiri paduthukkodi
Kaadhal kalyaanatha Nee kanavula muduchukkadi
Uravum ooraarum suthi irukka Varuvaan chappaani unna manakka
Enna theriyum Kaeni thavala
Endi onakku Thaali kavala
Adiyae asadu… Adiyae asadu
Kanda badi thitta poren
Vaadi samnja pulla Adi velanja karumbu kolla
Yeli vaalu pola Adi yembudhadi mela
Unna endha paiyan kattikkuvaandi Vaadi samnja pulla
Adi velanja karumbu kolla
Song Meaning & Analysis
This song is a playful, teasing monologue from an older woman (or an older sister figure) to a young, blossoming girl. The lyrics are filled with affectionate taunts about the girl's appearance, her immaturity, and her burgeoning dreams of love and marriage. The speaker playfully criticizes the girl's unkempt hair and calls her names like 'coconut sprout good for nothing' and 'silly girl,' all while hinting at her growing womanhood and the attention she might attract. It captures a common dynamic in rural Tamil households where elders express affection through lighthearted teasing.
The song beautifully contrasts the girl's grand romantic fantasies (dreaming of princes, lovers flying airplanes, and love marriages) with a more grounded, albeit exaggerated, reality (being married to a 'lame man' or being a 'well frog' who knows little of the world). Despite the seemingly harsh words, the underlying tone is one of warmth and guidance, preparing the young girl for the realities of life and marriage while acknowledging her youthful innocence and dreams. It's a vibrant portrayal of a coming-of-age moment, wrapped in traditional folk song elements.
Frequently Asked Questions
Who is the singer of Vaadi Samanja?
Vaadi Samanja is sung by பி. சுசீலா.
Which movie is Vaadi Samanja from?
The song Vaadi Samanja is featured in the movie Gopurangal Saivathillai.
Who wrote the lyrics for Vaadi Samanja?
The lyrics for Vaadi Samanja were written by Vaali with music composed by Ilayaraja.
Is English translation available for Vaadi Samanja lyrics?
Yes! Vaadi Samanja lyrics from Gopurangal Saivathillai include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Vaadi Samanja lyrics?
This song is a playful, teasing monologue from an older woman (or an older sister figure) to a young, blossoming girl. The lyrics are filled with affectionate taunts about the girl's appearance, her immaturity, and her burgeoning dreams of love and marriage. The speaker playfully criticizes the girl's unkempt hair and calls her names like 'coconut sprout good for nothing' and 'silly girl,' all while hinting at her growing womanhood and the attention she might attract. It captures a common dynamic in rural Tamil households where elders express affection through lighthearted teasing. The song beautifully contrasts the girl's grand romantic fantasies (dreaming of princes, lovers flying airplanes, and love marriages) with a more grounded, albeit exaggerated, reality (being married to a 'lame man' or being a 'well frog' who knows little of the world). Despite the seemingly harsh words, the underlying tone is one of warmth and guidance, preparing the young girl for the realities of life and marriage while acknowledging her youthful innocence and dreams. It's a vibrant portrayal of a coming-of-age moment, wrapped in traditional folk song elements.