Azhagile Kanirasam Lyrics
From the movie Pennai Vazha Vidungal
Azhagile Kanirasam Song Lyrics is the track from Pennai Vazha Vidungal Tamil Film – 1969, Starring Jaishankar, K R Vijaya, Sheela, Nagesh, M. R. R. Vasu, V. K. Ramasamy, S. V. Sahasranamam, V. S. Raghavan, M. S. Sundari Bai, O. A. K. Thevar. This song was sung by எல். ஆர். ஈஸ்வரி. The music was composed by S. M. Subbaiah Naidu. Lyrics works penned by Kannadasan.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Azhagilae kanirasam Idhalilae madhurasam Azhagilae kanirasam Idhalilae madhurasam
Aattam ennenna varum koottam ennenna Aattam ennenna varum koottam ennenna
Nottam ennenna Adhil naattam ennenna
Azhagilae kanirasam Idhalilae madhurasam
Thottaththu pazhaththukku kili paarvai
En tholkalil vizhunthathu pasi paarvai
Thottaththu pazhaththukku kilipaarvai
En tholkalil vizhunthathu pasi paarvai
Aasaikku vetkkamillai Oorapparavai Paarkiraar
Aththai magal vanthathaipol Annaththin meani kandu jaadai seikirar
Azhagilae kanirasam Idhalilae madhurasam
Bodhaiyil ooriya vizhi angae Poojaiyai nadidum malar ingae
Bodhaiyil ooriya vizhi angae Poojaiyai nadidum malar ingae
Malaikku Aasai konda Mangai ival illaiyaa
Mannarkalae pennidaththil Deviyin kolam kaanum devan illaiyaa
Azhagilae kanirasam Idhalilae madhurasam Aattam ennenna varum koottam ennenna
Nottam ennenna Adhil naattam ennenna
Azhagilae kanirasam Idhalilae madhurasam
Song Meaning & Analysis
This song, "Azhagile Kanirasam," is a classic cabaret-style number from the 1969 Tamil film 'Pennai Vazha Vidungal'. Sung by L. R. Eswari, it embodies a playful yet confident expression of feminine allure and the intoxicating power of beauty. The lyrics, penned by Kannadasan, describe a woman who is fully aware of her charm, comparing her beauty to the essence of fruit and her lips to sweet nectar. She provocatively questions what dances, gatherings, glances, and desires her presence will evoke, setting a scene of vibrant attraction and anticipation.
The song further delves into the dynamics of desire and observation. The singer notes the "hungry gaze" falling upon her, likening it to a parrot eyeing fruit, and observes a man casting "sidelong glances" without shame, making gestures as if encountering a familiar relative, yet clearly captivated by her "swan-like body." She positions herself as a "flower seeking worship" and a "maiden yearning for a garland," challenging the men ("O kings") to recognize the divine form within her, implying that true appreciation goes beyond mere physical attraction to acknowledging her inherent goddess-like essence.
Frequently Asked Questions
Who is the singer of Azhagile Kanirasam?
Azhagile Kanirasam is sung by எல். ஆர். ஈஸ்வரி.
Which movie is Azhagile Kanirasam from?
The song Azhagile Kanirasam is featured in the movie Pennai Vazha Vidungal.
Who wrote the lyrics for Azhagile Kanirasam?
The lyrics for Azhagile Kanirasam were written by Kannadasan with music composed by S. M. Subbaiah Naidu.
Is English translation available for Azhagile Kanirasam lyrics?
Yes! Azhagile Kanirasam lyrics from Pennai Vazha Vidungal include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Azhagile Kanirasam lyrics?
This song, "Azhagile Kanirasam," is a classic cabaret-style number from the 1969 Tamil film 'Pennai Vazha Vidungal'. Sung by L. R. Eswari, it embodies a playful yet confident expression of feminine allure and the intoxicating power of beauty. The lyrics, penned by Kannadasan, describe a woman who is fully aware of her charm, comparing her beauty to the essence of fruit and her lips to sweet nectar. She provocatively questions what dances, gatherings, glances, and desires her presence will evoke, setting a scene of vibrant attraction and anticipation. The song further delves into the dynamics of desire and observation. The singer notes the "hungry gaze" falling upon her, likening it to a parrot eyeing fruit, and observes a man casting "sidelong glances" without shame, making gestures as if encountering a familiar relative, yet clearly captivated by her "swan-like body." She positions herself as a "flower seeking worship" and a "maiden yearning for a garland," challenging the men ("O kings") to recognize the divine form within her, implying that true appreciation goes beyond mere physical attraction to acknowledging her inherent goddess-like essence.
Song Details
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