
Theriyadho Nokku Lyrics
From the movie Suryaganthi
Theriyadho Nokku Song Lyrics is the track from Suryaganthi Tamil Film – 1973. This song was sung by மனோரமா. The music was composed by M. S. Viswanathan. Lyrics works penned by Kannadasan.
Track Credits & Star Cast
Music & Lyrics
Singers
Star Cast
Not Specified
Theriyatho nokku theriyaatho Chinna paruvaththilae kadhalippathu
Paiththiyam pol thonumunnu theriyaatho
Theriyatho nokku theriyaatho Chinna paruvaththilae kadhalippathu
Paiththiyam pol thonumunnu theriyaatho
Avaalavaa aaththukkullae Aayiram irukkum
Kadhal aarmbikkum neram mudhal Naadagam irukkum
Thaanaa sirippaa ava thaniyaa nadappaa Yaedho ninaippaa chummaa
Pesindae iruppaa
Theriyatho nokku theriyaatho Chinna paruvaththilae kadhalippathu
Paiththiyam pol thonumunnu theriyaatho
Poojaikkaaga poravaapol Aambilai povan
Angae poojai thedi pommaanaatti Neraththil varuvaa
Samiya kandaalaa ava poojaiya kandaalaa Samiya kandaalaa ava poojaiya kandaalaa
Vantha moorththiya kandaalaa Paiyan moonjiya kandaalaa
Theriyatho nokku theriyaatho Chinna paruvaththilae kadhalippathu
Paiththiyam pol thonumunnu theriyaatho
Padaththa paaththu patta paadu Nadaththi paakkuraan
Cinima padaththa paaththu patta paadu Nadaththi paakkuraan
Ava pazhaiya kaala duet paatta paadi paakkaraa
Manamoganaanga ananga Vaaduthae kanavilum en manam
Tharaiyil uruluraa Avan thalaiyai thadavuraan
Iva tharaiyil urularaa Avan thalaiyai thadavuraan
Araiyil nadappathai Ava ambalamaakkuraa
Theriyatho nokku theriyaatho Chinna paruvaththilae kadhalippathu
Paiththiyam pol thonumunnu theriyaatho
Song Meaning & Analysis
The song "Theriyadho Nokku" is a humorous and satirical take on young love, particularly from the perspective of an older, perhaps more cynical, observer. The singer, Manorama, questions whether young lovers realize the "madness" of their actions. She describes the typical behaviors of those smitten: laughing alone, walking in a daze, and constantly talking to themselves. The lyrics paint a vivid picture of the dramatic and often exaggerated expressions of nascent romance, suggesting that these behaviors are common and almost theatrical.
The song further illustrates this by depicting a scenario where a boy pretends to go for worship, only to meet his beloved, who also feigns devotion but is actually there to see him. It comically points out that they are more interested in each other's faces than in God or the actual puja. The lyrics then touch upon the influence of cinema, where young lovers imitate dramatic scenes and old duet songs. The final lines, describing rolling on the floor and stroking heads, followed by "exposing what happens in the room," add a layer of playful mischief and exaggeration, highlighting the public display of affection and the perceived absurdity of young love.
Frequently Asked Questions
Who is the singer of Theriyadho Nokku?
Theriyadho Nokku is sung by மனோரமா.
Which movie is Theriyadho Nokku from?
The song Theriyadho Nokku is featured in the movie Suryaganthi.
Who wrote the lyrics for Theriyadho Nokku?
The lyrics for Theriyadho Nokku were written by Kannadasan with music composed by M. S. Viswanathan.
Is English translation available for Theriyadho Nokku lyrics?
Yes! Theriyadho Nokku lyrics from Suryaganthi include line-by-line English translation, English transliteration, and native Tamil script on Lyricsverse.
What is the meaning of Theriyadho Nokku lyrics?
The song "Theriyadho Nokku" is a humorous and satirical take on young love, particularly from the perspective of an older, perhaps more cynical, observer. The singer, Manorama, questions whether young lovers realize the "madness" of their actions. She describes the typical behaviors of those smitten: laughing alone, walking in a daze, and constantly talking to themselves. The lyrics paint a vivid picture of the dramatic and often exaggerated expressions of nascent romance, suggesting that these behaviors are common and almost theatrical. The song further illustrates this by depicting a scenario where a boy pretends to go for worship, only to meet his beloved, who also feigns devotion but is actually there to see him. It comically points out that they are more interested in each other's faces than in God or the actual puja. The lyrics then touch upon the influence of cinema, where young lovers imitate dramatic scenes and old duet songs. The final lines, describing rolling on the floor and stroking heads, followed by "exposing what happens in the room," add a layer of playful mischief and exaggeration, highlighting the public display of affection and the perceived absurdity of young love.
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